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DECONSTRUCTING CHAMBER MUSIC: AN INTERVIEW WITH DUNCAN PETERSEN-JONES

3/25/2018

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On March 26, 2018, the world premiere of Duncan Petersen Jones's Devastation Deconstruction by the Vanguard Reed Quintet will be taking place at the University of Michigan. Scored for reed quintet (consisting of oboe, clarinet, bass clarinet, alto saxophone, and bassoon), the premiere is part of an ongoing collaboration concert series between the university's student composers and chamber groups.
We had the opportunity to speak with Petersen-Jones last weekend to learn more about his brand-new chamber work. You can read our full interview with him below:
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ADVENTURES FOR DOUBLE BASS: AN INTERVIEW WITH COMPOSER JOSH TRENTADUE

3/11/2018

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On Saturday, March 17th, the world premiere of a brand-new work by composer Josh Trentadue will be taking place at the Michigan State University College of Music. Concerto for Double Bass features the virtuosity and wide artistic range of Matthew Gibson, a doctoral student at MSU who commissioned the piece and is also hosting the concert where the premiere will be taking place. Trentadue will be in attendance for the premiere, which will see the piano reduction of the concerto come to life.

We've had the opportunity to sit down and speak with him about this new concerto. Here is our full interview with him about this exciting new work:
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The Millennium Composers Initiative actively seeks to provide new experiences for audiences and performers everywhere, regardless of aesthetic, style, or background. Our initiative includes members across the globe creating fresh and engaging new music for all types of ensembles and media, with various concentrations in both acoustic and electronic music. We strive to push the limits of what defines music through experimental and conventional means.

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Photo used under Creative Commons from Kevin M. Gill
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