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COMPOSER SPOTLIGHT: BRITTANY J. GREEN, "PORTRAITS"

3/26/2019

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This weekend will see two performances of MCI composer Brittany J. Green's "Portraits," a five-movement piano suite composed and premiered in 2017. Green's piece is based on several works by poet Bessie Irene, each of which explores multiple aspects of the human condition in various shapes and forms. The first performance of "Portraits" will take place this Thursday, March 28th at the University of New Mexico, while the second will happen on Sunday March 31st in Chicago, Illinois [check out our Events page for more details on each of these performances!]
We had the opportunity to interview Green this week on this piece! Read on to learn more about her composition:
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Describe your inspiration for composing the piece.
Portraits is a reflective piece that explores solitude, angst, melancholy, rage, and content. Each of the five movements was inspired by a poem that depicts a portrait of someone, or perhaps a state of mind or version of ourselves.

What is the overall conception for the piece (for example, is it programmatic or abstract? Is there a specific formal structure, color, or musical device you employed?
This work is programmatic, drawing extramusical inspiration from a series of poems. While the movements vary aesthetically, the work is largely impressionistic with hints of indeterminacy. This piece was largely inspired by the work of Debussy, Satie, and Feldman. 

What are some of the goals you strove to accomplish in writing the work?
One of the driving forces in this piece is pacing. I wanted the piece to breathe, and through the use of the sustain pedal, I wanted the overtones of the piano to be active participants in the musical gestures of the piece. The pacing of the work plays a major role in this and helps create the the reflective mood of the piece. I think this emphasis is best heard in the first movement, which is written spatially with stemless noteheads and long legato markings. 

What do you hope your audience ultimately take away the most from hearing your work?
Ultimately, I hope this piece provides the audience with a moment of mediation and reflection.
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The Millennium Composers Initiative represents composers from all around the world at the beginning of their professional careers, regardless of their aesthetic, style, or background. Creating fresh and engaging new music for all types of ensembles and mediums, we strive to push the limits of what defines music and art through experimental, conventional, and interdisciplinary means, providing new experiences for audiences and artists everywhere.

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